Daniel Lindholm FSC Director of Photography

Selected

The Twin - Trailer

The Twin
Trailer

Aspercreme - Brawl

Aspercreme
Brawl

Pink Ribbon Foundation - This moment is ours

Pink Ribbon Foundation
This moment is ours

Lomepal - Decrescendo

Lomepal
Decrescendo

Ikea - Kings and Qeens

Ikea
Kings and Qeens

Centrepoint - Unleash Greed

Centrepoint
Unleash Greed

Commercial

Orca Security - Cloud is yours

Orca Security
Cloud is yours

Ignite - The Table

Ignite
The Table

Destination - Riyadh

Destination
Riyadh

Helsinki Regional Transport - Best journeys are made together

Helsinki Regional Transport
Best journeys are made together

Burger King - As good as the original

Burger King
As good as the original

Power Electronics - Canging the game

Power Electronics
Canging the game

Gloria Magazine - Women Empowerment

Gloria Magazine
Women Empowerment

Aava Medical - Mirror

Aava Medical
Mirror

Mc Donald´s - Get golden memories

Mc Donald´s
Get golden memories

STC - Viral Kids

STC
Viral Kids

Telia - Open Your World

Telia
Open Your World

Harvey Nichols - The Trial

Harvey Nichols
The Trial

Jyväbroiler - A matter of taste

Jyväbroiler
A matter of taste

Pavesini -

Pavesini

Viking Line - Interruptions

Viking Line
Interruptions

Narrative

Jinn - The Rise

Jinn
The Rise

Lake Bodom - Trailer

Lake Bodom
Trailer

MX - Ihminen

MX
Ihminen

Black Sun - Teaser

Black Sun
Teaser

Through The Supermarket - Teaser

Through The Supermarket
Teaser

Lake Bodom - Concept Teaser

Lake Bodom
Concept Teaser

Archive

Radio Aalto - Let The Music Do The Talking

Radio Aalto
Let The Music Do The Talking

Electric Litany - Sealight

Electric Litany
Sealight

HSBC Apple Pay - Sleepshopper

HSBC Apple Pay
Sleepshopper

Fazer - Panther

Fazer
Panther

RAY - Tero & Keijo

RAY
Tero & Keijo

Tikkurila - Paints

Tikkurila
Paints

Kotipizza - Italy

Kotipizza
Italy

Suomen Yrittäjät - Eva Wahlström

Suomen Yrittäjät
Eva Wahlström

Love And Anarchy - Zombie

Love And Anarchy
Zombie

Love And Anarchy - Volpina

Love And Anarchy
Volpina

Sub TV - Friends

Sub TV
Friends

Accu - Nightfreak

Accu
Nightfreak

Awards

  • Best Cinematography

    ECU European Independent Film Festival
  • Silver

    Cinematography London International Awards LIA
  • Merit

    Film Craft Cinematography ADC 97th Annual Awards The One Club for Creativity
  • Gold

    Film Craft Cinematography Loerie Awards
  • Gold

    Cinematography Mena Cristal Festival
  • Grand Prix

    Film Craft Dubai Lynx
  • Ranked 3rd

    Director of Photography of The Year BWR Rankings 2018
  • Grand Prix, Gold, Silver, Bronze

    Voitto Awards
  • Silver

    Epica Awards
  • Silver

    Vuoden Huiput
  • Cannes Lions

    Film Craft & Film Lions short list

Press

Variety - David Harvey

This is a very good-looking film — Daniel Lindholm’s widescreen lensing particularly excels at eerie forest nightscapes and frequent sweeping aerial shots — paced with cruelly playful precision.Read

The Hollywood Reporter - Stephen Dalton

The overall tech package is a cut above most genre efforts, especially Daniel Lindholm’s cinematography, which finds room for painterly vistas of the mist-shrouded lake and striking high-altitude aerial shots of blazing autumnal forests.Read

Film Inquiry - Jake Leonard

Principally, Daniel Lindholm‘s cinematography must be praised for its ever-present beauty and his own ever-invisible presence. He manages to create a distinctive look for the film that gets the best out of its locations and yet only adds to the superb atmosphere created by the cast and their director rather than distracting from it. There is also a great car chase sequence that gets plenty of bang from very little buck.Read

Cut Print Film - Chris Evangelista

Director Taneli Mustonen and cinematographer Daniel Lindholm bless their film with an ethereal beauty and soft-focus that most blunt hack-and-slash outings never come close to touching. Lake Bodom’s power is how gorgeous the film looks, with painterly frames galore. There’s enough originality here, mixed with truly stunning cinematographer, to make Lake Bodom stand out from the pack.Read

Horror freak News - Michael Klug (Cinematography *****)

Speaking of a car chase, I was immensely impressed with the stunt and camera work of the film’s third act. It’s crazy-intense and had something like Mad Max: Fury Road been focused on only a couple of cars, and not dozens – this would be how it would have looked. It’s a breathless sequence and it just keeps going. I can’t properly express my love for what the filmmakers accomplished here – especially for what is essentially an indie film. Brilliant camera and stunt work? Holy cow, yes! Technically, I can find no fault. And with the mention above of this is what a quality and effective film looks like.Read

Contact

+358 50 586 5519


Résumé

Murtha Skouras Agency / www.murthaskouras.com

Narrative:

Charlie Skouras / charlie@murthaskouras.com / +1 (310) 720 4088

Commercial:

Tom Marquardt / tom@murthaskouras.com / +1 (424) 302 7574

Kinou Cinematographer Agency / www.kinou.fr

Narrative:

Kinou / kinouk@gmail.com / +33 (0) 6 09 69 74 57

Commercial:

Annelyse / annelyse@kinou.fr / +33 (0) 6 11 70 51 13

Music video:

John / john@kinou.fr / +33 (0) 7 81 47 34 84